It’s not even to where it really has too much of a melody, it just - it just does something like that! But you know how certain instruments, whether it makes sense or not, sometimes give you a feeling. I wanna break windows, I wanna jump off roofs.ĭuring the verses and the B section, there’s a rhythm-type grungy guitar loop. ![]() I felt like, “Let’s do some bad boy shit,” you know what I’m saying? “Let’s crack windows.” That’s what I would like to see in terms of what my music is doing, especially if we’re going after a single. The last record was dope, but it was cute. So when they told me that EXO was cutting, I was like “What? Yeahhh!” I placed a record with EXO a couple of years back called “Cloud 9,” so I’m familiar with them based off of what I’ve done with them in the past. Of course, I knew that I had to change it up and go somewhere else - “Let’s go ahead and figure something else out in terms of the hook, let’s get more musical on that side” - but that didn’t happen until we set the foundation of what that beat was. The main part that I fell in love with initially was the verses in the pre-chorus. It was based off of a foundation of sample. “Obsession” - that’s not based off the hook or the chorus. I just went on and created a loop and then created the whole song around that. So Stalone actually got on the mic and just said “I want you” - I think she actually said “I want you bad,” but I think we just cut the “I want you” and then created a beat off of that. Didn’t know that it was actually gonna be “I want you” - I just wanted something to be piercing and repetitive, and then I’ll make the track over that. The “I want you” part is what I was really looking for. The beat that I wanted to create, I definitely wanted to have a piercing sample of some sort that repeats over and over and over again - I didn’t necessarily know what it was gonna be. So they had it for a while I think they were trying to figure out who was gonna cut what and the structure of everything. I’m assuming they always wanted to cut that record. ![]() ![]() I always loved the song, so when we got a chance to press play for SM Entertainment, we played that song and I guess that’s the jam that they fell in love with. We were working on a project that didn’t complete, so it just end up being a demo that’s pretty much just sitting around. It was a demo record that I created, I produced, and wrote and co-wrote with Stalone and Asia’h Epperson. If you’re really about what I’m about, then put in the work.” I love to oxymoron my music to where it’s like, you’re talking about love and hope for tomorrow, but then the music sounds like sorrow and anger. Corey Taylor Talks Forthcoming LP 'CMF2': 'The Best Rock Album of This Year'īelow, learn what went into the band’s latest LP from the producers and songwriters who worked on it.ĭem Jointz: We all know the original record was called “Spend It All,” right? “If you really want this, then prove it.
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